I have VonGoober radio to thank for my first exposure to Charon. This was back when Steve Shumake ran his own Live365 station and I was a loyal listener. Every time I tuned in I discovered bands that I'd never heard of, many of them hailing from outside the U.S. During one such listening session, I heard "Unbreak, Unchain" from Charon's album, "The Dying Daylights" and my musical life changed.

Charon's music captures a unique blend of melancholy and power. Typically they are classified as gothic metal and utilize keyboards and female harmony vocals, traits consistent with the style. Many of their lyrics involve fire and death but the effect of their music for me is mostly soothing and engulfing. Their strong, steady rhythm tracks and harmonic motions lay down the perfect foundation for Juha-Pekka Leppäluoto (aka JP).

This in no way is meant to detract from the contributions of his bandmates, but Charon's sound, their entire mood, is thoroughly entwined with JP's voice. He has an incredibly deep, rich timbre, which allows him to communicate deep emotion without relying heavily on rasp or growl. His voice evokes some hints of Sisters of Mercy, while capturing some of the darker side of Johnny Cash and yet, JP is unique and stands on his own.

I spent much of my musical growth years admiring vocalists like Bruce Dickinson, Rob Halford and Klaus Meine, all great singers in their own rights. Heavy metal has a long, glorious history of near-operatic vocalists, male and female singers that deliver power in their upper registers, many of them delivering their melodies without much rasp or grit. When I discovered Charon, my definition of a great metal singer expanded to cover a much lower range of pitch. I still love the bands whose singers are way up there, the ones who can hit unbelievable highs and leave you imagining shattered wine glasses. Honestly, thought, if I actually had a say in it, I'd be in a band with a singer like JP. Or better yet, the singer would be JP.

Sadly, Charon only released one more non-compilation album after "The Dying Daylights". In 2005 they released "Songs for the Sinners", an album that has grown to equal status with its predecessor in my collection. It's hard to pick favorite songs, but I highly recommend starting with "Unbreak, Unchain" and "Religious/Delicious" from "The Dying Daylights". On "Songs for the Sinners", I suggest listening to "Colder" and "Deep Water", then go on from there. After a long period of inactivity in the studio, Charon released "A-Sides, B-Sides and Sucides" compilation in 2010. Then in 2011 they announced their final performances would occur in their home country of Finland, during the midsummer.

I am deeply sorry I never got to see Charon perform live. My family's trip to Sweden and Finland this coming summer will happen too late for that. Instead, I will go on treasuring the music they recorded and hope that perhaps, someday, I'll at least get to see JP perform live.

If you were lucky enough to see Charon perform, would you share your experiences? Those of us in the Americas would love to hear what that was like, to be in the same room, listening to and watching the band perform. If there's a next chapter for the band's members, will we get a chance to experience that outside of their home turf?