Codename "Tribute" - The Motivation (part 1)
At this point in 2012, the band has been called Danger, Ltd. for longer than it carried the "Tribute" codename. Even so, there was quite a long period where we simply referred to it as "Tribute". That codename was a direct reflection of the band's mission, which grew and evolved over quite a few years before a single note was played.
For many years, covering almost the entire span of my collaboration with Steve Rosenthal, we often found ourselves discussing the difference between the typical cover song performance and the real works of art. I think that our first example of masterful cover versions was Van Halen. There was something special about the way they covered a song with such conviction. They infused cover songs with so much of the Van Halen flavor that they really feel like they belong right next to their original songs. We also rambled on about Nazareth's cover of "Love Hurts", Cheap Trick's version of "Ain't That A Shame" and The Lemonhead's treatment of "Mrs. Robinson". We've all been to parties where there's a cover band; they play for hours and every song sounds like a weak knockoff of the original, without any real life or special treatment. Steve and I were always fascinated by the bands that could grab a cover song by the throat and take full control of it, making it their own song in the process.
Sometime in the 2000s, my friend Steve Sicular and I got together to talk about guitar, amps and gear in general. We'd always said, "We should play together sometime." We spent quite awhile in that mode. At one point considered starting a software venture related to music publicity but that never quite gained solid traction.
Meanwhile I'd bounced around a bit between software development jobs, eventually finding a position at Apple, working closely with my friend, Mike Hay. Though we regularly talked "tech" over lunch or coffee, the conversations often meandered until they landed on the idea of a concept band. Initially, I was interested in a band that covers relatively unknown but great songs, sort of acting as a "tribute" to great songwriting, with a nod toward under appreciated composers and performers. I don't really remember how we transitioned from talk to action but, at some point, the two Steves, Mike and I ended up getting together in my Redwood City studio, polishing up the "Tribute" idea.
Pretty quickly, it was clear that I was in the minority on the under appreciated artists concept. The overall consensus was leaning toward picking reasonably well known songs, so that listeners would have some familiarity with the material. We put together a Wiki as a place to collect song ideas and developed a points scheme that allowed us to all vote for the songs, with point totals clearly distinguishing the ones that stood out from the rest. I'm pretty sure we had almost 100 songs nominated, maybe 20 that got voted up and when it was all said and done, 9 songs made it to the album.
Cheap Trick, Danger Ltd, Lemonheads, Nazareth, Van Halen, cover, heavy, music, tribute | in Cover Songs
Reader Comments (7)
Bringing your own personality to it starts long ago:
“That’s All Right, Mama” – Arthur “Big Boy” Crudup (1946)
I've long thought that the greatest example of what you are talking about it is Hendrix's take on All Along the Watchtower. The thing that makes it so great for me is that Hendrix managed something few can do with a cover, even if it's great - he wrestled the song away from its author and laid a claim to it as his own. Dylan loved it and changed the way he performs the song live after hearing the cover. In the liner notes to Biograph, he notes: "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way... Strange how when I sing it, I always feel it's a tribute to him in some kind of way." High praise from the man himself.
CV,
I'm in absolute agreement on "All Along The Watchtower". To me, that is a Hendrix song. Having never been a big Hendrix fan growing up, I still love hearing that song. The mood, the performance, the solo: they're all perfect.
Also, the versions of Springsteen's "Blinded By The Light", "Strangers In The Night" and "I Came For You" covered by Manfred Mann's Earth Band are the only versions of those songs that come to mind for me.
The Man Who Sold the World.
The problem with Tribute for me is this:
http://youtu.be/4an3rpucSos
Not that I don't love that. Of course, this isn't my party!
Brooks,
I've got no problem with Tenacious D and I think the concept of a song about the greatest song ever written which itself isn't actually the greatest song ever written is pure genius. Hurts my brain a bit but, otherwise, we at Danger, Ltd. highly approve!
David
Aw, shit, there is another perfect example right under my nose, as my band plays it: Everyone thinks (What's So Funny About) Peace, Love, and Understanding is an Elvis Costello song. And, well, it is, even if Nick Lowe wrote it - everyone associates the tune with EC.
And, coincidentally, Danger, Ltd. also plays (What's So Funny About) Peace, Love and Understanding. Nick Lowe gets all the licensing fees for that one. Great song, BTW.